Two days in the Life of a Class - with Carol
As Waverley Arts members will know – Friday is the day
for Life Class, 2 sessions, morning and afternoon. As a member of the
life class for a few years now, let me tell you more about it.
As an afternoon student I try to arrive in time for “Show and Tell” from
the morning class. Everybody puts up their best work for the day for a
short appraisal by Carol. But today – what a worry – how can the
afternoon class possibly measure up against this! High praise for nearly
every drawing – an excellent result – what lovely drawings! Oh well,
just do the best we can – as usual!
Carol calls us to order right on 12 midday. “Ladies and gentlemen, boys
and girls and others, your places please!”
Pauline (not her real name) was our model, and a great model she is.
Today we are using brush pens and doing contour drawings, keep the pen
on the paper and take it for a walk, hold the pen away from you with a
straight as possible arm.
Use other mediums as desired, but the brush
pen must be part of your work. First several two minute poses for warm
ups.
Carol moves around the room behind us, helping us as she goes. Her
favorite phrases, all with a touch of humour, are her trade mark.
“For five hundred thousand dollars – which breast is the higher? I
challenge you, naked, in the privacy of your own home to raise your arm
without raising the corresponding breast!”
“Use your holder-upperer! (any old pencil will do). If they cost $10,000
and you had to order them from overseas you would use them more!”
“Can you buy jeans for this woman?”( Someone has done something really
strange with the legs)
“Stand back – standing back is an investment – and its free!”
We are confronted with a seemingly impossible pose. “This goes with that
at Sussan”
“Look for the shape of the negative space”.
“All improvements gratefully received – all disimprovements and the
model will sue”
“Do whatever you like as long as it looks wonderful!” (Fine, think I,
but how am I going to achieve wonderful?)
One of us makes an obvious mistake. “Oh, oh, you seem to have caught the
virus, so-and-so was in that corner this morning and he was doing just
that!”
On doing a back view. “Careful not to overdo the spine – we don’t want a
zip fastener for easy access!”
“Look at the shape of the head – frontal lobotomies have gone out of
fashion, thank goodness.”
When you correct something, do it before you erase the wrong one.
Otherwise you will do the same thing. Definition of insanity: doing the
same thing twice and expecting a different result .
And when Carol has corrected one of our errors “But I thought…” we say,
but Carol says “Don’t think – your left brain will tell you what to do
but don’t believe it – it tells you porkies. If it looks wrong it
probably is wrong – do some vertical and horizontal checks with your
holder upperer – what is opposite what. What does the chin, elbow, knee
line up with. Use the underarm as a point of reference. See what is the
furthermost point of the pose on the right – one the left – the highest
and the lowest”. And then when we have made the correction we may say
“Well, you wouldn’t have thought….”
Point is don’t think – LOOK!
You’d think (there we go thinking again) that we’d know all of this by
now, some of us have been going to life class for many years – and we do
get better at it – but we still need to go. Life drawing is the
gymnasium for the artist – it keeps you fit, if you don’t keep going
you’ll slip back. Carol’s little sayings make it easier for us to
remember, but it’s still hard. “Life drawing wasn’t meant to be easy”.
Who said that?
Carol gives really encouraging comments all the time. “Well set on head”
“Beautifully set on head” “Charming drawing” “Colours work beautifully”
“Good strong drawing” “This is a very, very nice drawing” “Look how
little is done to the face, but it works!”
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Now we are to do two standing poses on the same page. We have 10 min for
each. During the break we have prepared a piece of our favourite paper
and selected colours, darks, lights and mid-tones. |
Now a seated pose, we have 20 mins
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Certain combinations
of colours look good on certain colour papers. Because we are arranged
around the room, the model faces different ways for the different poses
so that we can all get a turn at “a back”!
Time’s up - we have all worked very hard – Pauline and Carol most of
all, and it is time for “Show and Tell”
How have we done? Very well indeed, but who is to say whether the
morning or the afternoon class did better?
Now I’m sure you would have liked some photos of all these good
drawings, but I actually didn’t think of writing this until afterwards,
so didn’t think to take the pix. So then planned to take some next week,
you’d never know the difference!
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However next week has happened today, and as they say – expect the
unexpected – the model was taken ill at the last moment. If this happens
we all take our turn at being the model. You will be pleased to know we
do this clothed! That means we learn about how the clothes drape on the
body, how we see the mass of the body under the clothes, how we must not
be into dressmaking and draw all the seams but observe the folds, areas
of light and shade and so on. |
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We even got the wooden stool to pose,
Carol draped it in a satin cloth, and stacked a frilly pillow against
it. More practice for us in drapery. Most got the elipse of the stool
wrong. The excuse was - “the model moved!” ????
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The hour and a half went by even more quickly than usual, and yes, we
had done a very creditable round of drawings for Show and Tell. So I
took some photos of them, and here they are – just don’t think it is
rather odd for Life Class – after all, you’ve seen our usual life class
drawings before!
Now its time to pack up, don’t forget to turn our inspirational Brett
Whitley nude poster to the other side to show Fred McCubbin (so we don’t
offend the other users of this room!)
Pastel is the dirtiest medium available, so last thing, check your face
in the bathroom mirror. Its not a happy moment when you come home after
having been to the supermarket and three other shops on the way, only to
find you have been sporting a Hitler moustache and a black eye!
If you would like to join in all this fun and games (and hard work) and
be part of Life Class, please phone Ian Anderson 9806 0013
Alison Simpson