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Monet and Me

A Reflection

by
Alison Simpson

 

Monet, self-portrait

 

Point at the pictures to see the captions

I recently read a book on Monet, titled “Monet” by Robert Gordon and Andrew ForgeThe beach at Sainte Andresse, 1867 (Harry N.Abrams, NY, 1989).  That is, I actually read most of the words as well as looking at the pictures!  Unusual for me with art books.

It is an excellent book, very well illustrated with thousands of color and black and white prints and photographs of very good quality.  The information is most comprehensive, giving a history of Monet’s life and works in great detail, referring to the illustrations where applicable.

 It was such a long life, stretching from the early days, when he spent so much time with his mates out painting, and getting such wonderful results.  FavoritesThe Studio Boat, 1874 of mine are the water paintings, when he and Renoir etc. were out on the river painting water, boats and bridges. La Grenouilliere, Argenteuil and so on. 

 How did they get it to look so wonderful, putting those large pieces of paint down, making it all look so vibrant! And the gardens, the train station, the wild coastal scenery, the people, the haystacks!

 Waterlilies, 1906. This one fetched $20.9 million at Christie's last year.Then as time went on, the mates sort of fell off the perch, and he ended up in his garden at Giverny, both creating the garden and painting it.  This of course went on until the end of his life; his great passion for painting continuing to take over his life. 

Later on, when his eyesight was failing he experienced great frustration when things didn’t turn out as he wanted, and there were many bonfires of unwanted canvases.

 When contemplating my own art life and that of an artist as famous and successful as Monet’s, a few things struck me.  Monet actually workedImpression Sunrise, 1872 full time at it, and went out every day painting, and would stay at the same place painting at different times of the day and in different weather conditions until he had actually finished that place! And then in the garden, (which he never finished painting) he went out after breakfast for a few hours, came in for lunch, went out again in the afternoon, had dinner etc. and wrote letters in the evening! 

The House on the River Zaan, 1871Well, what of course, struck me was that someone else had shopped for, prepared, served and washed up after every meal!  Not to mention the house cleaning, washing and gardening.  I suppose by that time he had enough money to pay for all this!

 Well, it's not exactly the same as myself is it.  How can I expect toThe mill at Zaandam, 1871 improve quickly when I devote a limited time only per week to art – I’m just improving a lot more slowly!  

You must admit he didn’t have the distractions of the square plastic screens of the television, computer, digital camera, mobile phone and microwave, and didn’t have to answer his emails, telephone, answering machine and Telstra 101 as well as his snail mail. 

A quiet corner, by Alison SimpsonI did however do a painting -  “A Quiet Corner” - recently, which may have started to come close to the more impressionistic and free style that I would like, and which I so much admire in Monet and all the French Impressionists.

 We must all spend more time reading (or even looking at) art books. Our own WAS library and the Whitehorse Libraries, in particular Nunawading, have an excellent collection, and I’m sure the Monash libraries do too.  Happy reading!!  

 

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